Bye Bye Grandma
In Bye Bye Grandma, I play Michel, a jazz double bassist caught between artistic passion and family stability. A look back at the musical preparation, the shoot and the people behind the film.
Martin Blais
Fleur de Peau
In Fleur de peau, I play a film producer’s assistant — a deliberately caricatured character inside a short film about power, sexism and the people who help toxic systems keep functioning.
Classé Secret
My appearance in Classé Secret as the “Burner Phone Man,” a spy whose job was to slip a phone into a journalist’s coat without anyone noticing.
The Recruit
From audition to set, I look back on how I built and played the hotel concierge in Netflix’s The Recruit, filmed at Grandé Studios in Montreal.
La Mélancolite
I look back on filming La Mélancolite with Bruno Blanchet: cult characters returning, spontaneous improvisation, production challenges and the people I met on set.
In the name of clericalism
My experience on In the Name of Clericalism, an artivist short in which I played Father Virginio Rotondi in English and Italian — and what the project taught me about lending an actor’s face and voice to an activist work.
The Road Ahead
Martin Blais looks back on The Road Ahead, the short film he wrote, produced, directed and starred in, from the five-minute cut to the Director’s Cut.
Canal 13
Francis Auger-Pagé invited me to play Gérald, a very unusual news anchor, in Canal 13. A look back at a joyful short-film shoot created for the 2022–2023 Nikon Film Festival.
Untrodden 2
A look back at filming Untrodden 2 and preparing Eugene, between character work, independent filmmaking and doing whatever the shoot required on location.
Tout sur Moi
Looking back on my first major television role in Tout sur Moi, from a mailed 8×10 headshot and a wild audition to filming intimate comedy scenes with Macha Limonchik.